Julie Unruh
I looked at the weather

I looked at the weather, XI.134-135

Copperpoint on prepared ground on found paper

23.5" x16.25"

Translation of the cuneiform:"I looked at the weather, and there was quiet but all the people had turned to clay."

Utnapishtim is telling the flood story to Gilgamesh (the same story that is recorded in the Bible).

This drawing is about a nightmare I had with a surprise ending. In my dream, there was no good or bad – it is not even clear that there was cause and effect. It was just apocalyptic violence, and then, unexpectedly, something new happened after the end. Horrific events ended with a new beginning. So this drawing is about: the end is not the end. There is terrible violence, everything is changed, and surprisingly, afterwards, things go on.


This series of 10 drawings is based on the ancient Mesopotamian story of Gilgamesh. "Gilgamesh" appears on cuneiform tablets (an ancient form of writing on clay) dating to about 2000 B.C.E. It relates an epic journey made by the King of Uruk, Gilgamesh, and his friend, Enkidu. The story is also about what is and is not eternal and significant. These 10 drawings, like the story, are about permanence versus transience, and about trying to determine what is important and what is inconsequential.

The drawing substrate - paper bags - comment on disposability and value. Like excavated archaeological material (most of which is ancient refuse), when the paper bags are put into a different context, their significance changes. Also like excavated archaeological material, the paper bags will deteriorate over time. In this way, the drawings are like the ancient tablets on which the story of Gilgamesh was written.

All of the drawings in this series are made by drawing with sharpened silver or copper wire. The lines are created by transfered metal particles, which means that the drawings themselves will tarnish with time, like archaeological objects.